I printed both colors last night so I now is a good time to take a look and decide what I think about this one. Here are some intial thoughts:
- I like the cut marks over cut marks as opposed to “coloring in” outlined shapes from the key block. Still, does having the 2nd block even add anything or have I said it all with the key block? If I want to get away from having a key block, I guess I can’t do my original drawing directly on the block.
- Kitakata is beautiful, tough paper, darker in tone than the Kozo (used for Yellow Jacket). I was able print with the baren without a slipsheet, without rubbing holes in the paper.
- I need a better way of planning my colors. I think it would be helpful to have color samples that Im trying to match before I start mixing ink. I’m not thrilled with the colors with I ended up using. Maybe I’ll use watercolors for color studies for the next one.
- I’ll probably work a little smaller so I can do more prints and try more things in less time. I’ll wait to move up in size when I have more of these questions worked out.
- I took my time drawing on the block and am happy with that part of it.
- Overall, I’m satisfied. However, there are a lot of lessons that I’ll be taking from this one to the next piece. I’m tempted to reprint this in different colors but, at this time, I think ‘ll move on to a new image.


One Comment
Dig it. Beautiful cut. I’d like to see the figure pop a bit more off the soft green back, but that’s it. And about colors, ever considered getting color cards from the hardware store paint department? I’ve known folks who mixed paint that using those. Worked out well.